I simply meant to open you up to all the options out there. Despite the title, you should view this post as a comparison rather than a ‘versus’ approach. What works for me isn’t necessarily what will work for you. This goes to show you that we are all very different. One friend pointed out that most trackers are mostly meant to be used with samples rather than plug-ins and this is true. I tried to get my producer friends to try Renoise and they all quit it within no time saying it wasn’t for them.
In between, I tried going back to the previous DAWs I had used but I’m still in love with the tracker concept that I simply couldn’t. Like I said, I am not in any way endorsing trackers or even Renoise itself but I feel this is what works for me. For those wondering, I’m still nowhere near Las Vegas (even physically) but I’ve improved my production skills a lot and occasionally make theme music for video producers. I never made a point to check out any other DAWs but fast forward to today, I’m still using Renoise. Upon doing more research, I found out that this was in fact nothing new. The kicks, snares, claps and everything else appeared on the same screen and there were no floating plug-ins that annoyed me in my previous encounters with music production software. What appealed to me most about the vertical approach was how it allowed me to see everything together. I watched the first ten tutorials and got to know my way around a few things. Here’s a little video example of a tracker in action, complete with composition for your education / enjoyment!Ī lot of things were different but of course it was still Greek to me. Of course if your channels exceed a certain number, you’d have to scroll but generally everything can be viewed together. They take on a graphical form, with the optional feature of having the actual note script or using the piano roll.įinally, with a tracker (as is with a spreadsheet), you can view the content of all channels in your project all at once. With a tracker, the notes are written down (e.g. Secondly, the mode of entering the notes is different too. Trackers generally look like spreadsheets with cells whereas a sequencer’s interface looks like a bunch of channels with a bar behind it, representing a score of music. A Sequencerįirst, we have the appearance. The simplest explanation is that trackers involve a top down approach while sequencers take in a horizontal approach. You can classify these programs in whatever categories, but today, I’m gonna focus on sequencers versus trackers.
RENOISE TRACKER SCREENSHOT SOFTWARE
But every workman has their preferred tools of work and music production software is no different. Now, all DAWs achieve the same goal: making good music (They’re at least meant to). If you’ve come across or heard of Ableton Live, Reaper, FL Studio, Cubase, Reason, Cakewalk Sonar, ProTools et cetera, then you’ve already interacted with these guys. But if you’re a new or an aspiring music producer, a DAW is simply computer program used for editing, recording and producing music. Hang on what’s a Digital Audio Workstation? If you’re not new to this, you already know the answer so move on to the next paragraph. Digital Audio Workstations when it comes to them, music producers are spoilt for choice.